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  • Sales Rank: #1953724 in Books
  • Published on: 2009-12-19
  • Binding: Hardcover

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Kamis, 25 Agustus 2011

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Bilingual Education in the 21st Century examines languages and bilingualism as individual and societal phenomena, presents program types, variables, and policies in bilingual education, and concludes by looking at practices, especially pedagogies and assessments. This thought-provoking work is an ideal textbook for future teachers as well as providing a fresh view of the subject for school administrators and policy makers.

  • Provides an overview of bilingual education theories and practices throughout the world
  • Extends traditional conceptions of bilingualism and bilingual education to include global and local concerns in the 21st century
  • Questions assumptions regarding language, bilingualism and bilingual education, and proposes a new theoretical framework and alternative views of teaching and assessment practices
  • Reviews international bilingual education policies, with separate chapters dedicated to US and EU language policy in education
  • Gives reasons why bilingual education is good for all children throughout the world, and presents cases of how this is being carried out

  • Sales Rank: #4040734 in Books
  • Published on: 2008-11-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.22" w x 7.12" l, 2.20 pounds
  • Binding: Hardcover
  • 496 pages

Review

“Aside from the conceptual issues highlighted above, the detailed discussions of multilingual education policy alone make the book worth buying for scholars of language in education issues.”  (Journal of Linguistic Anthropology, 10 April 2012)

“Garcia concludes with a detailed examination of bilingual education practices and their intended outcomes, which should be mandated reading for curriculum specialists and school principals.” (Choice Reviews, June 2009)

Review
"This book will become a classic in the bilingual education literature. It provides a comprehensive overview of bilingual education at the levels of philosophy, policy, provision and practice. It has international relevance, global understandings and is suitable for a worldwide readership."
–Colin Baker, Bangor University

"Ofelia García writes with wisdom, heart, and an unshakable conviction that bilingual education is the best education for all children in today’s world. A must read for educators everywhere."
–Nancy Hornberger, University of Pennsylvania

"Ofelia (and Hugo) have unemployed a lot of researchers. After this book, there is no need for another book on bi/multilingual education for a decade. With its creativity, new conceptualisations, enormous worldwide knowledge and unusual combination of path-breaking theory and insider knowledge about schools, this is, The Book on bilingual education."
–Tove Skutnabb-Kangas, University of Roskilde

From the Back Cover
Bilingual education has long been a controversial topic for communities, policy makers, and teachers. Misconceptions about what bilingualism itself is, and what bilingual education should do, have laid the groundwork for a wide range of policies that don't always have a coherent vision for their students. In this wide-ranging and provocative book, García examines the history and current state of bilingual education programs throughout the world, offers a critical reading of the current conversations around them, and invites readers to imagine a new paradigm for the 21st century: one based on the idea of multilingual fluidity as a social and cultural imperative in a globalized world.

García examines languages and bilingualism as individual and societal phenomena, presents program types, variables, and policies in bilingual education, and concludes by looking at practices, especially pedagogies and assessments. Questioning assumptions regarding language, bilingualism and bilingual education, this book proposes a new theoretical framework and alternative views of teaching and assessment practices.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent and unique source for bilingual education
By Lingua28
This book is an excellent and the most updated source for students, academics or teachers in the field of bilingual/multicultural education. Its large scope from the basics and historical develeopment of bilingual education to actual classroom practices and methodologies makes this book unique for both researchers and practitioners. The clear distinctions made between important concepts such as bilingual/bicultural literacy vs balanced literacy helps the reader grasp them easily.

The book is also unique and different from the previous sources in the field with its 'translanguaging' perspective. The author of the book, Ofelia García, has caught a perpective much-awaited in the bi/multicultural education field. The theories and all the information makes better sense with the overall perspective of translanguaging.

Not only bilingual education but also ESL researchers and practitioners will benefit greatly from this book. With its concise review of language teaching methodologies and theories of bilingualism, the book covers the foundations of the field of ESL and the smooth intersection of both fields. Thus, I strongly recommend the ESL professionals to own one copy.

Another strength of the book is that it reveals the myths about bilingual education in a systematic manner. Throughout the whole work, the reader is constantly educated in the field in terms of its various dimensions. At the end, the reader can clearly see why those myths are 'myths.' With this aspect, the book proves to be a valuable and easily comprehensible source not only for the people in the field but also for anyone interested in education of minority students in dominant societies. Last but not least, the global perspective that the work displays is one of its most valuable aspects. By showing various successful models of bilingual education around the globe, the book enlightens the view of policy makers and administrators who shape the destiny of education for language minority students in the US. You find the answers to questions like 'What do other countries and peoples do to educate their language minority children? Why can't we have an efficient bilingual education system in the US while many other countries can? What can we do to improve our education system so that we cater for the needs of our students better?'

You should buy and read this book if you are a researcher, a teacher, or simply someone interested in language education in the US and the world. You should have your students read it if you are an academic in the field. You should read and study it if you are a student of bilingual education.

After this masterpiece, it will be hard to write a new book in the field for a long time.

0 of 0 people found the following review helpful.
Excellent book for educators!
By HW
I found this book to be extremely insightful, well detailed and extremely useful as both a student of education and a teacher. It builds on history, social contexts, and research, and paves a new, hopeful direction for bilingual education. I enjoyed its blend of international research, US examples, and qualitative research and found the information to be both insightful and practical for my actual teaching. Especially in the current political climate, this book is extremely valuable for all in the field of education - teachers (of all students), teacher-educators, policy makers - and anyone interested in languages, bilingualism, and the diversity of our students.

0 of 0 people found the following review helpful.
An Excellent Book
By Maryam Borjian
This is an excellent and comprehensive book for those interested in Bilingual/Multilingual Education. It examines the history and current state of Bilingual Education throughout the world and proposes a new direction for Bilingual Education in the 21st Century. It has both a theoretical and practical dimension. And so, can be beneficial both for scholars and practitioners. The book's appeal can also extend to all language educators. I used various chapters of this book in one of my TESOL courses and students found it very insightful and valuable. It is simply a must read book for educators around the world.

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Senin, 22 Agustus 2011

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  • Sales Rank: #65654 in Books
  • Published on: 2015-12-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.00" w x 5.20" l, 1.60 pounds
  • Binding: Paperback
  • 752 pages

Most helpful customer reviews

1 of 2 people found the following review helpful.
Resource on the job
By K. L. Williams
I like the presentation of topics in this book. I use it often while working in the ED as a midlevel practioner.

0 of 0 people found the following review helpful.
Five Stars
By ADESH LUTCHMAN
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0 of 1 people found the following review helpful.
Five Stars
By Amazon Customer
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Atlas of Regional and Free Flaps for Head and Neck Reconstruction, by Mark L. Urken

Documenting in unprecedented detail the surgical procedures, techniques, and approaches used by the experts, this new atlas/text is the definitive full-color pictorial reference on major flap transfers for reconstructive head-and-neck surgery. The book chronicles three decades of innovations and progress in the field, and presents detailed descriptions of anatomy and anatomical variations, step-by-step guidance on identifying and preparing appropriate donor and recipient sites, and techniques for successfully grafting selected tissue. This one-of-a-kind atlas covers the spectrum of donor sites most frequently used in head-and-neck surgery, and through more than 300 color illustrations and a concise narrative text, the authors provide step-by-step guidance and invaluable technical advice. Each chapter includes the details of normal donor site anatomy as well as anatomic variations, and every section of the book presents the most important options in flap design and the most optimal and desirable application. The text also addresses important topics such as pre- and postoperative care and potential pitfalls and complications

  • Sales Rank: #4639286 in Books
  • Published on: 1995-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x 9.00" w x 1.00" l,
  • Binding: Hardcover
  • 361 pages

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Selasa, 16 Agustus 2011

[I675.Ebook] Download Ebook Wednesday Is Spaghetti Day, by Cocca-Leffler

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Wednesday Is Spaghetti Day, by Cocca-Leffler

Ever wonder what your pet does at home while you're out? In this delightful picture book by award-winning author Maryann Cocca-Leffler, Catrina the cat invites her friends over for a delicious spaghetti lunch every Wednesday. Originally published in 1990, this new edition will enchant a new generation of readers.

  • Sales Rank: #445047 in Books
  • Brand: Brand: Troll Communications
  • Published on: 1999-12-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.70" h x .20" w x 7.80" l,
  • Binding: Paperback
  • 32 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
When the family departs, their freewheeling feline becomes the hostess with the mostest in this zany, food- and fun-filled bacchanal. Ages 3-7.
Copyright 1992 Reed Business Information, Inc.

From School Library Journal
PreS - Grade 1-- Catrina the cat waits impatiently for her owners to vacate the house because her cat friends are coming for lunch. When they arrive, the cats immediately begin to prepare an Italian feast because, "Wednesday is Spaghetti Day ." They cook up a storm and have a wonderful time until the school bus pulls up to the house and deposits the children. Utter pandemonium ensues as Catrina's visitors climb on top of each other, circus style, and leave the house cluttered with the remains of their feast. As the unsuspecting children offer Catrina a bowl of cat food, she strolls off to dream about the next day's feast because, "Thursday is Guacamole Day." The plot is pretty far-fetched, and even the most gullible child may wonder at these cats' enthusiasm for tossed salad, grape juice, and guacamole. However, the concept of a group of neighborhood gourmet cats is amusing. The cartoonlike illustrations are colorful, but nothing distinguishes Catrina and her feline friends from one another except for their coloring. Mildly entertaining but hardly an essential purchase. --Laura Culberg, Chicago Public Library Cultural Center
Copyright 1990 Reed Business Information, Inc.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Great bedtime reading
By A Customer
I recently picked up this book for my children, ages 2 and 4, and it has become a favorite bedtime read. I love that it taps my children's excitement for animals and encourages them to think in unusual ways - do cats like spaghetti, for instance? We can use it to reinforce the concept of time as we watch the clock tick closer to 3 o'clock when the children return home and the cats rush to tidy the kitchen. And big words like "spaghetti" and "guacamole" have my 2 year old trying to say new words. It's a good length for a bedtime story - not so long that my younger child looses interest or the story line becomes too complicated, yet there's enough to wonder about that it holds my 4 year old's attention also. It's a great bedtime book!

1 of 1 people found the following review helpful.
Cute story
By Sammy
My daughter loves this book. She is a pasta fanatic and cat lover! What a great combo!! The illustrations are sweet and playful. The story is short, but cute nonetheless. I wish there was a follow-up book.

1 of 1 people found the following review helpful.
Favorite childhood book.
By Tiana Hollomon
This was one of my favorite books as a child! I was so happy to find this book again. The book was exactly as described and the shipping was quick! I am really pleased with this purchase and would buy from this seller again!

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Minggu, 14 Agustus 2011

[C136.Ebook] Download PDF iTunes Music: Mastering High Resolution Audio Delivery: Produce Great Sounding Music with Mastered for iTunes, by Bob Katz

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iTunes Music: Mastering High Resolution Audio Delivery: Produce Great Sounding Music with Mastered for iTunes, by Bob Katz

Apple’s exciting new Mastered for iTunes (MFiT) initiative, introduced in early 2012, introduces new possibilities for delivering high-quality audio. For the first time, record labels and program producers are encouraged to deliver audio materials to iTunes in a high resolution format, which can produce better-sounding masters.

In iTunes Music, author and world-class mastering engineer Bob Katz starts out with the basics, surveys the recent past, and brings you quickly up to the present―where the current state of digital audio is bleak. Katz explains the evolution of standards for dynamic range through the present and with implications for the future. He details the new methods that Apple is developing to accept high resolution audio and shows step by step how audio engineers and producers can take advantage of them.

This book is designed for all those dealing with sound, from sound engineers to music industry executives and musicians―and those aspiring to all these roles. This book will help you understand the issues around delivering high-quality environment and get all your facts straight for when you encounter resistance to good sound.

Topics covered include:

• Contrasting the production of CD albums with iTunes albums
• High Resolution audio
• Dithering
• Distortion (and how to avoid it)
• Lossy Coding
• Loudness Metering
• Sound Check and how it affects our production techniques
• Apple’s tools for Mastered for iTunes

Foreword by renowned mastering engineer Bob Ludwig.

Join the forums at www.digido.com/iTunes, for the latest information and discussions!

  • Sales Rank: #421118 in Books
  • Published on: 2012-09-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .29" w x 6.00" l, .60 pounds
  • Binding: Paperback
  • 144 pages

Review

Mastered for iTunes… will be the standard from now on. It is 100% based on solid science, as you will learn in the chapters of this book.
―Bob Ludwig, Gateway Mastering, Portland, ME (from the Foreword)

In iTunes Music, the tools of the trade are expertly explained by Bob Katz in a way that informs the professional and enlightens the beginner. The next time I’m asked "What is mastering?" I’ll answer the question with a question: "Have you read Bob’s book[s]?"
―Jim Anderson, Professor, Clive Davis Institute of Recorded Music, Tisch School of the Arts, New York University, Recording Engineer, and Past President, Audio Engineering Society, NYC

Knowledge is key to understanding, and Bob’s book clarifies the "new world order" of music delivery with the right mix of practical and technical detail. No matter your background, if you care about how your music will sound to others, you need to read this! You should be able to provide better sounding music after reading Bob’s book!
―Jim Kaiser, Audio Educator, Engineer, AES Past President, Nashville, TN

Katz is unusual as an author in combining a high-flying day job―and all the secrets that mastering usually entails―with a desire to communicate and demystify technology and methods. He’s now turned his attention to the bugbear of high-end and addressed the iTunes generation. You know you’re going to want to read it.
―Zenon Schoepe, Executive Editor, Resolution Magazine, United Kingdom

Bob Katz turns the dry, but critically important, technical side of mastering into an engaging easy read, and does it without sacrificing depth or completeness. The beautiful graphics and clear writing style offer a masterful education for the reader.
―Alan Silverman, Adjunct Professor, NYU Steinhardt, Dept. of Music and Performing Arts Professions, Adjunct Instructor, NYU Tisch School of the Arts, Clive Davis Institute of Recorded Music, and www.arfmastering.com, NYC

iTunes is a reality of today’s production world. iTunes Music helps shed some new light on this mystifying topic. From the best way to handle metadata and higher sample rates to coding and final delivery, this informative work is the "go-to" manual for modern music mastering.
―Rich Tozzoli, Grammy-nominated mixer, producer, composer, and writer, NJ

About the Author
Bob Katz played the B flat clarinet from the age of 10, and his lifelong love of sound and music led him to become a professional recording, mixing and mastering engineer (since 1971). Three of his recordings have garnered the GrammyT award and many others have been lauded in publications such as Stereo Review, Audio, and Stereophile. He has written over one hundred articles for audio and computer publications, and is an inventor and manufacturer with processors and support gear in use at mastering studios worldwide. His most recent patent-pending inventions, the K-Stereo and K-Surround Processors, fill a missing link in the mastering and post- production pantheon. He has been a workshops, facilities and section chairman of the AES and has given lectures in several countries. Currently, Bob runs Digital Domain Studios just north of Orlando, Florida.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Mostly for Mastering Engineers... but...
By P. Hamm
Mostly for Mastering Engineers... but...

The discussion of how iTunes works and how to take advantage of its new High Resolution format is useful and eye-opening for any recording musician, whether pro or amateur. It'll give you ideas for maximizing the quality of your recording from beginning to end, it's filled with great colorful illustrations, and even though it's very technical, as a layman I understood the language throughout, thanks to some very well-presented glossaries.

If you are just a music listener curious about iTunes from a consumer perspective, skip this book. It is decidedly not for you.

5 of 5 people found the following review helpful.
Important information in a breezy read
By Personne
The near-magical art of mastering audio goes back many decades. It's adapted time and time again, moving from the physical aspects of LP cutting through CD and now into the world of digital audio distribution. At every stage, the mastering engineer has done everything possible to match the music to the medium and ensure the most pleasant and true experience possible. While the hour it takes to read through this little volume won't make you into a mastering engineer, it will give the the beginnings of the toolset you want. More importantly, it may help to persuade you that it's a toolset you really need.

Those of us who've been in the business for a while are well aware of the so-called 'loudness wars'. It's the constant battle to make each musical release louder than the last, in the hopes it will rise to the top of the pile when it comes to airplay. It's been enormously damaging to the overall quality of recording. Bob Katz makes that point without preaching; more importantly he shows why it's a losing battle. More and more playback systems (and some legal restrictions) aim toward reproducing music with a uniform perceived loudness. Those pumped-up recording just get pushed down so they coexist nicely with the others. If that reduces those panicky lunges at my level control, then I'm all for it! A rather good portion of this brief book deals with the subject of loudness--really quite different from maximum level. Katz talks about how we perceive it and how playback systems can be tripped up by it. This is more than a minor issue. Even if your intent is to pump that volume, the actual act of coding and playing music may give you problems you never intended.

Although the book has iTunes as a prominent part of the title, I haven't even mentioned that until this point in the review. A great deal of what Katz has to say is of more general importance. But he gives you plenty to chew on for an iTunes-specific dinner. He talks about how iTunes fetches track names when you insert a CD, as well as how you can set that data up correctly. He discusses some free tools from Apple that can help you get the most out of encoding a song. He discusses some of his favorite tools--especially level meters. Throughout he maintains a lively and helpful tone, leaving you eager for more.

5 of 5 people found the following review helpful.
You'll Want To Read It Twice (At Least)
By frankp93
The book's title initially fooled me - I thought it might be nothing more than a glossy guide to "mastering" Apple's iTunes application.
I was wrong and the name Bob Katz should have tipped me off to the depth of technical detail and the passionate argument for quality audio that comes through every page.

"Mastering Music For iTunes" is not a tutorial on digital audio mastering (If you're interested, check out Katz's "Mastering Audio" text - it's one of the bibles of the industry). While mastering engineers will appreciate the technical depth, the book's audience is anyone in the music production chain from musician, mix and mastering engineers, producer and marketers with an interest in producing high quality digital audio.

With downloaded music now a dominant form of distribution and Apple's iTunes store a major point of sales, submitting the highest quality audio files to Apple under the guidelines of their Mastered for iTunes (MfiT) program requires some technical understanding. For many engineers, that means some changes to their traditional workflow of targeting CD and vinyl media. Traditional mastering tasks such as inserting pauses, balancing individual track loudness have changed, as has the very concept of an 'album' of assembled tracks. "The book's stated goal is not to make every reader an expert in audio encoding, loudness normalization, metadata, sample rate conversion and the benefits of preserving headroom, but rather to provide a working foundation enabling intelligent discussion and collaboration.

I'm an amateur musician with more experience in low-level software development than mastering audio but it fascinated me to see how the inherent lack of floating-point precision in microprocessor math operations I've been aware of for years has shaped and influenced software built on top of it, including digital recording and mastering tools. Subtle and counterintuitive artifacts and behaviors are often introduced (such as the substantial growth in audio file size as a result of effects processing - which is often nothing but an overlay of repeated floating point calculations). I found the comparison to digital photography effects such as dithering and pixelation spot on and it clarified a lot of the heavier detail, as did the many software screen shots of analyzed signals.

The book gives a good grounding in high-resolution audio, compression and limiting and their influence on loudness, and presents examples from a variety of software tools to give a sense of what's available to the contemporary engineer. None of the material is at the tutorial level and it's assumed that someone looking for technical depth already has a substantial background. The writing is lucid and lively and the pictorial layout of the book will make it a pleasure for non-technical readers with a serious interest in the topic.

If you've followed Bob Katz's writing and his blog you're familiar with his happy warrior stance in the "loudness wars". The tone of "Matering Music for iTunes" is upbeat; Katz feels that Apple's Mastering for iTunes program has provided him with ammunition and tools to support his case for preserving headroom and with it the spacious dynamics that are for him the hallmark of quality musical production. As someone from the same generation who shares much of his perspective, I hope he's right.

As a target reader I probably fall somewhere in between technical and non - I've recorded and mixed my own music in analog and digital for years but am self-taught and know merely the basics of mastering. Still, I found the book set off many ideas I want to explore and I imagine re-reading it and keeping it close to my studio desk for some time.

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Sabtu, 13 Agustus 2011

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Avid Agility: Working Faster and More Intuitively with Avid Media Composer, Second Edition, by Steven Cohen

THE ULTIMATE BOOK ON HARNESSING THE POWER OF AVID MEDIA COMPOSER. Filled with hundreds of techniques and profusely illustrated in color, it will help you discover new ways to use the system and do things you didn't know were possible. For advanced editors, it contains in-depth, easy-to-read material on critical subjects that are often glossed over; for those just getting started, it offers clear, well-illustrated explanations of basic concepts. Written by one of the pioneers of the digital editing revolution, this second edition focuses on Media Composer 5.5.

SUBJECTS COVERED INCLUDE: Interface Fundamentals; Advanced Editing & Trimming; The Smart Tool; Find & PhraseFind; Visual Effects & Advanced Keyframes; Color Correction; Titles; Mixing, RTAS & Stereo Audio; Multi-camera Editing; Toolsets & Workspaces; AMA & Media Management; Film & 24p Video; and much more.

REVIEWS:
"The most ambitious and comprehensive book on Avid Media Composer I've read. This is much more than an operating manual or how-to -- it's like having a seasoned pro sitting next to you, revealing his trade secrets. If you're a Media Composer editor, rookie or old pro, Avid Agility will make you a better editor, guaranteed."
-- Jonathan Moser, Post Magazine

"The quickest path to becoming a Media Composer Jedi Master. Editor and teacher Steve Cohen has written a clear, comprehensively-illustrated and easy-to-understand guide -- a bible on advanced editing with Avid Media Composer. For anyone who works regularly on an Avid and has a desire to take their skills to the next level, this book is essential reading."
-- Lawrence Jordan, founder, 2-pop.com & HollywoodReinvented.com

"A definitive book about the Media Composer environment. May well be the ultimate book on customizing Avid's unique capabilities for individual creative editing."
-- Ray Zone, Editors Guild Magazine

"An easy read, logically laid out, and useful to novice and experienced editor alike. I highly recommend this book."
-- Frank Capria, Consulting Designer, Media Composer, Avid Technology

"Cohen's book will guide you to the next exciting level of the art of editing."
-- Edgar Burcksen, CinemaEditor Magazine

"An amazing work -- for both new and old Media Composer users. I'd recommend that each and every one of you who are editors order the book."
-- Norman Hollyn, Head of the Editing Track & Professor, USC School of Cinematic Arts

"Steve Cohen has taken his decades of experience editing on Avid and distilled them into a very readable, incredibly illustrated book. Consistently delivers magical little tricks that make you say, 'I wish I'd known that yesterday!'"
-- Steve Hullfish, Avid Master Editor, colorist, author of five books.

"Celebrates new capabilities, teases out jewels in the crown, and boldly goes into advanced features. Avid Agility is a superb gift for any Avid editor, student or pro."
-- Loren Miller, Boston Creative Pro User Group. Editor, Teacher, and Creator of KeyGuide Keyboard Shortcut Pages.

EDITIONS: This second edition offers detailed coverage of Media Composer 5.5. The first edition covers Media Composer 5, and the third covers Media Composer 6.

  • Sales Rank: #811720 in Books
  • Brand: Brand: CreateSpace Independent Publishing Platform
  • Published on: 2011-04-19
  • Original language: English
  • Dimensions: 10.00" h x .59" w x 8.00" l,
  • Binding: Paperback
  • 250 pages
Features
  • Used Book in Good Condition

Review
"The most ambitious and comprehensive book on Avid Media Composer I've read. Much more than an operating manual or how-to -- like having a seasoned pro sitting next to you, revealing his trade secrets. Avid Agility will make you a better editor, guaranteed."
-- Jonathan Moser, Post Magazine

"The quickest path to becoming a Media Composer Jedi Master. Cohen has written a clear, comprehensively-illustrated and easy-to-understand guide -- a bible on advanced editing with Avid Media Composer. This book is essential reading!"
-- Lawrence Jordan, founder, 2-pop.com & HollywoodReinvented.com

"A definitive book about the Media Composer environment. May well be the ultimate book on customizing Avid's unique capabilities for individual creative editing."
-- Ray Zone, Editors Guild Magazine

"An easy read, logically laid out, and useful to novice and experienced editor alike. I highly recommend this book."
-- Frank Capria, Consulting Designer, Media Composer, Avid Technology

"Steve Cohen has taken his decades of experience editing on Avid and distilled them into a very readable, incredibly illustrated book. Consistently delivers magical little tricks that make you say, 'I wish I'd known that yesterday!'"
-- Steve Hullfish, Avid Master Editor, colorist, author of five books.

About the Author
Steve Cohen has been a pioneer in non-linear post-production, editing one of the first Avid TV movies (HBO's "Teamster Boss") and then going on to edit the first studio feature to use Avid's Film Composer ("Lost in Yonkers") while helping to develop the company's 24-fps software. He remained closely connected with Avid for many years and eventually cofounded the Avid Editors Advisory Committee, a group of prominent editors that advises Avid about software features. He has worked as a teacher throughout his professional life and was the first chairman of the editing department at the American Film Institute, the first school in the U.S. to offer an MFA in editing. He later helped create, and was the publisher of the Editors Guild Magazine. His book, "Avid Agility," now in its third edition, evolved out of his deep involvement with the development of the Avid system.

His credits include, "Before the Rains," "Material Girls," "The Prince and Me," "15 Minutes," "Blood and Wine," "Three Wishes," "Angie," "Rambling Rose" and "No Man's Land," as well as many pilots and TV movies, including several in the Jesse Stone series. He received an Emmy for "LBJ: The Early Years," an American Cinema Editors Eddie Award for "Don King: Only in America," and A.C.E.'s distinguished Robert Wise Award for writing about editing. He blogs at splicenow.com.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Avid Agility review by Jonathan Moser
By flashcutter
I haven't met Steven Cohen, but after reading his book, Avid Agility ($36.88), I feel like I have. Cohen was a pioneer in nonlinear editing, cutting the first studio feature to use Avid (Lost in Yonkers). He's taught at the AFI, was publisher of the Editor's Guild magazine and co-founded the Avid Editor's Advisory Committee. And, now, he's published the most ambitious and comprehensive book on Avid Media Composer I've read. (Avid should include this with every Composer system sold).

This book could have had a number of other titles: "Avid Demystified," "Avid Revealed," or "Flying with Avid." I can promise you one thing... should you get this book, and I highly advise you do if you're a Media Composer editor, rookie or old pro, "Avid Agility" will make you a better editor, guaranteed.

This is much more than a operating manual or how-to -- it's like having a seasoned pro sitting next to you, revealing his trade secrets, explaining and enlightening you, all for the cost of a book.

In 236 jam-packed pages, Cohen has managed to take us on a very personalized trip through an admittedly complex and often baffling tool that has had its share of supporters and detractors. He shows us tips and tricks, shortcuts and gotchas, and reveals secrets that explain in concise and colorful prose and illustrations the versatile ways Media Composer can and should be used. He explains it in a straightforward manner that doesn't talk down or overcomplicate understanding.

Frankly, it's no secret that we editors are often stingy with our secrets and methods... admittedly, it's one of our worst traits, mea culpa. So for Cohen to have opened up decades of know-how and tips and tricks to advance our skill set is fantastic, and it only benefits us to take advantage of the opportunity.

"Avid Agility" is up-to-date with Media Composer 5, and covers just about all new aspects and features. Every page has some new shortcut or feature that you previously may have bypassed or neglected. Editing, speed and keyboard shortcuts can make the difference between you or another editor getting the job or not. With Cohen's vast array of shift, control and command shortcuts, methodology and approach, new levels of speed and versatility can be achieved.

I started learning new things almost immediately about the ins and outs of Media Composer that I didn't know (or ignored) after almost 21 years of cutting on it. The breadth of coverage is huge. From an in-depth look at Media Composer's interface, through the Smart Tool, new approaches of media management, color correction, audio mixing, toolsets and workspaces, to explaining Composer's new complex but powerful advanced keyframing model -- his concise explanations detail not only how to use it, but why it beats the old keyframing model.

Cohen uses detailed graphics to show us highlights in the keyboard or user interface that match precisely what he's explaining in text. Rather than just tell us,"This is how it's done," Cohen shows us why he does things the way he does. Much of his methodology is outside the box -- bypassing Avid's conventional wisdom.

For example, Cohen shows us a much more efficient and precise way to consolidate media in order to copy media over from one system to another that works better than Avid's own consolidate function. He explains things that aren't found in Avid's manuals or online help centers -- problems and solutions that are garnered from years of his own experience. His customization tips alone are worth the price of the book: things that may seem obvious, but that we've never done, like programming the mouse to enable functions that took multiple keystrokes, or that additional functions can be mapped to the keyboard that aren't listed in the manual or command palette.

There's no stone left unturned. It's hard to understand how he got so much into this book. There are literally hundreds of tips to be found in these pages.

In great detail Cohen even covers Media Composer's film tools and methodology, giving newbies a primer in pulldown, how Filmscribe works, examining change, optical and cut lists, giving us potential problems to watch out for.

Cohen's personal philosophy of editing is as much an ingredient of the book as these concise explorations of the editing system. In explaining a wonderful section on how he personally sets up his system (and why), he explains, "The more you can free yourself from thinking about the machine, the more your focus will be on the material you're editing... every time you look down, you slow down."

FINAL THOUGHTS

As I went through the book, I realized the disparity we as editors, have in just how we get educated on the use of our systems. Some of us have the luxury of one-on-one professional editing tutors or classes, others go up through the ranks at facilities or organizations, but so many others are in the boondocks, isolated and far from schools or others who might impart their experience and wisdom. With the cost of the technology now so low and multiplying daily, it's to these isolated and geographically scattered editors that this book might be even more valuable... even though there is so much great info here that even the most experienced pro can benefit.

An unexpected benefit of this book is a new look of Media Composer as the highly developed, complex and innately flexible system it is.

3 of 3 people found the following review helpful.
Great review !
By Joseph V. Polletta
Originally bought the book because it had Avid 5.5 updates.It had that and more. Came across a few shortcuts and tips that I'd forgotten. A quick read for someone who already has knowledge of Avid.

0 of 0 people found the following review helpful.
Excellent for Pros and Newcomers alike
By Kennedy
This is an excellent guide. Mr Cohen has produced an astonishing compendium of what's what with the Avid system. I can't recommend it enough.

How much mileage you get out of it will depend of course on your own knowledge; but writing as someone who has used MC for over ten years and is diligent about exploring computer interfaces thoroughly, I can honestly say that I still found something useful on every page.

Mr Cohen's book is not a comprehensive technical guide in the way that Avid's own manuals are. There are no endless cross-referenced procedural lists; no unfathomable indexes. Instead it feels like a private one-on-one, in which a very organised and experienced editor sits down and says, "Look, did you ever try this?... or this?..." It's really a boon to other editors to have someone like this walk you through the Avid interface in such detail.

Thankfully, the layout of the book is also excellent, which makes it a pleasure to browse through. It is printed on high quality paper, and is well illustrated in full colour, with clear pictures and diagrams spaced nicely so that information is clear and easy to take in. There are no pages stuffed with boxes and variable fonts, which are often a blight on guides about computers and IT.

The content is organised into general themes (timeline/trims/media consolidation, so forth) so if you want to go straight to tips on timeline organisation, as I did, then it's all present in one chapter. Though I found some parts to be more eyeopening than others, everyone's experience and knowledge will be different. In this respect, I would ignore the reviewers on here who have nitpicked it for stating things they already knew. Mr Cohen intends his book for all Avid users, and as such it is accessible to Pros and newcomers alike.

Overall, a fantastic and much-needed book for editors, and a tremendous value.

(***This version of the book covers Avid up to version 5.***)

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Selasa, 09 Agustus 2011

[X192.Ebook] Free Ebook Philosophy (Made Simple Books), by Richard H. Popkin, Avrum Stroll

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Philosophy (Made Simple Books), by Richard H. Popkin, Avrum Stroll

Philosophy (Made Simple Books), by Richard H. Popkin, Avrum Stroll



Philosophy (Made Simple Books), by Richard H. Popkin, Avrum Stroll

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For almost four decades, Made Simple books have set the standard for continuing education and home study. In answer to the changing needsof today's marketplace, the Made Simple series for the '90s presents a thoroughly up-to-the-minute portfolio of skills, information, and experience, with revised and updated editions of bestselling titles, plus a whole range of new subjects from personal finance to office management to desktop publishing.

B & W illustrations throughout

  • Sales Rank: #7326369 in Books
  • Published on: 1986-09-08
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 383 pages

From the Publisher
For almost four decades, Made Simple books have set the standard for continuing education and home study. In answer to the changing needsof today's marketplace, the Made Simple series for the '90s presents a thoroughly up-to-the-minute portfolio of skills, information, and experience, with revised and updated editions of bestselling titles, plus a whole range of new subjects from personal finance to office management to desktop publishing.

B & W illustrations throughout

From the Inside Flap
For almost four decades, "Made Simple books have set the standard for continuing education and home study. In answer to the changing needsof today's marketplace, the "Made Simple series for the '90s presents a thoroughly up-to-the-minute portfolio of skills, information, and experience, with revised and updated editions of bestselling titles, plus a whole range of new subjects from personal finance to office management to desktop publishing.
B & W illustrations throughout

Most helpful customer reviews

3 of 3 people found the following review helpful.
Philosophy Made Simple
By Philoso...
How simple could it be? Well, it isn't particularly, but it is more simple when you have this book. I first read this text as a freshman in junior college in 1972... Ugh. But I've referred to it ever since then, first as an introduction and later a quick resource for contrast and comparison. It was wonderful, and over the years it has been on my reference shelf and lent out to friends, students and my kids again and again. When I recently lost my original copy I was surprised to find that it was still in print, and didn't hesitate to order a replacement. The viewpoints of each of the classic authors represented my not be detailed enough for every inquiry, but this book helps in overcoming the hesitation you may have when you want/need to read the writers for yourself. So, for this reader, as a survey of major philosophical views and concepts, this book is wonderful.

1 of 1 people found the following review helpful.
Great Introduction
By Lisa McDonald
I took two philosophy courses about 15 years ago when I was doing my undergraduate work. When I became interested in philosophy recently I found Philosophy Made Simple. For a mere ten dollars this book gives one a terrific introduction to philosophy. Don't think just because it has "Made Simple" in the title that it is somehow overly dumbed down for the readers. The book conatains quite a few excerpts from some of the major thinkers in the history of philosophy. This book also gives one an overview of a number of different areas of philosophy which will be great for someone like me, who doesn't even know where to start. You can then easily pull names of philosopers from whatever area you are interested in out of the book and begin reading their individual works as I have. Overall a great read.

0 of 0 people found the following review helpful.
Good overview of philosophy, but a little long-winded
By Jason Swaim
I bought this as a sort of "Cliff Notes" for philosophy, since I don't really know much about the subject and wanted to learn more, particularly about contemporary philosophy. While the book is very thorough, it gets a little boring, and I kept wondering when it would discuss the contemporary stuff. Well it turns out that is only covered in the last like 10 pages, unfortunately. I ended up skimming large portions of the book, which is easy to do because critical sections are highlighted in bold. Overall pretty good, but if you're looking for a quick summary of philosophy, this isn't super quick.

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